Mesmerized by Kong Nai

Mesmerized by Kong Nai

Call it my lucky week for meeting Khmer legends.

After a little over 72 hrs since interviewing Mr. Vann Nath, I had another great honor to meet the Ray Charles of Cambodia, Master Kung Nai. Lok Ta is one of Cambodia’s most prolific chapey dong veng (long-necked guitar) players.

Lok Ta is part of an art collective of master musicians and singers under the internationally renowned organization, Cambodian Living Arts (Selapak Khmer Amatak). Tonight marked a special pre-release CD party of music performances from the album held at Phnom Penh’s newest dining hotspot, Romdeng.

The ambience at Romdeng -- filled with local artists, members of the press, tourists, art lovers, elders -- set the mood for a memorable night of singing and music.

There were five pieces played for the packed, wine drinking audience. I recall the soothing sounds of a lullaby, a duet beautifully sung by a young lady and a master musician, but the crowd favorite unarguably was the solo performance by Master Kung Nai.

His performance marks the second time I had the honor to hear him live. The first was fairly recent at the US Embassy's inauguration party two weeks back at Chaktomuk Theater.

The crowd was at a standstill as Master Kung Nai under aid from his assistant help the blind musician situates himself on stage. He grabs his signature instrument. Greets with his warm smile and begin to strike the strings.

He did not disappoint one soul in the room. In his five-minute "freestyle," the whole audience smiled along with him while his lyrics contaminated everyone with laughter.

Though performances had ended, the event continued with a social over Khmer food.

It was after my hearty meal that I had the courage to introduce myself to Lok Ta. I greeted him with the respectable sompeah. He gently grabbed my hands to show his appreciation. I told him that although most of his lyrics are beyond my competency, I felt a deep connection because I am still a "koun Khmer." I asked if he has ever performed in the states for a Khmer or non-Khmer audience.

Surprisingly, a man of his artistic talents has yet to step on American stage. Khmer community leaders, we must do something.

After my 15-min conversation, I gave his assistant (who I believe is his wife) my business card for future communication. I gave my respects and onward to mingling with the bubbling crowd.

Merci beaucoup to Erwan of Saklapel for keeping inform of these art functions.

© 2024 Phatry Derek Pan